What I discovered about Wyndham Lewis, George Schuyler, and Roy Campbell

1. Wyndham Lewis: overlooked scourge of mediocrity | Books | The Guardian

According to Lewis, the “era of puff and blurb in place of criticism” started with Arnold Bennett, when he “turned reviewer/star salesman for the publishers”. Lewis portrays Bennett in The Roaring Queen as representative of the commercialisation of literature – the transformation of book-publishing into big business – a business in which Lewis wasn’t about to participate. Hostility to puffery, a proclivity for argument, and brilliant literary insight all boil up in Lewis to explain why he went out of his way to criticise the establishment.

2. A most modern misanthrope: Wyndham Lewis and the pursuit of anti-pathos | Books | The Guardian

From an early age, Lewis cultivated what could be termed anti-pathos: a strategic, rather than merely tactical or opportunist, avoidance of sentiment. This strategy was to manifest itself in his art as a preference for the abstract, in his writing as a preference for satire and invective, and in his politics as a tough-mindedness shading almost imperceptibly into advocacy of tough action.

3. The University Bookman: From Marxist to Black Conservative

Schuyler’s rhetorical extravagances become more understandable when one discovers that he was a mentee of the famed polemicist and cultural critic H. L. Mencken. While there is definitely space for polemicists in cultural criticism, it is important to recall that polemicists have the tendency to sacrifice dialectical argumentation for the attention that comes from exaggerated, performative disagreement. They garner attention but can cheapen important points that are more suited to sober analysis. Polemicists, then, can only be serious thinkers to the extent that they are willing to prioritize serious thought above attention-garnering antics.

4. The University Bookman: Roy Campbell: A Poet for Our Time?

The real reason [Campbell] has been exiled from the discussion for so long and for so thoroughly go back to his time in Britain in the 1920s. He and his wife Mary became involved in the Bloomsbury Group, and Vita Sackville-West seduced her. Campbell and his family moved to the south of France and he proceeded to attack the decadence and dissolution of the Bloomsbury Group in a long satire, The Georgiad (1931), modeled on Alexander Pope’s The Dunciad.

As Roger Scruton wrote in 2009, the Bloomsbury Group’s ideals “amounted, for Campbell, to a refusal to grow up. The new elite, in Campbell’s opinion, lived as bloodless parasites on their social inferiors and moral betters; they jettisoned real responsibilities in favor of utopian fantasies and flattered themselves that their precious sensibilities were signs of moral refinement, rather than the marks of a fastidious narcissism.”

In other words, they were the original fragile snowflakes.


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  • Jose Miras  On April 22, 2017 at 4:19 PM

    Joseph Pearce is rightly very censorious of The Bloomsbury group. As a teacher of literature I resent that Virginia Woolf appears on the syllabus for fresh students when they should be presented with edifying writing in order to develop their reading practice and their liking. To neglect such a great poet as Campbell is to act against all aesthetic principles. Most Modernist are as overvalued as those they rejected are forgotten and need to be rescued from oblivion.
    Thank God, the academic world is but a piece of that cake known as knowledge and art!


    • Jim Bowman  On April 22, 2017 at 5:43 PM

      Which is thanking God for small favors, I fear, but am happy to hear your judgment of the matter and will keep it in mind. Thanks.

      Jim Bowman

      My Lulu page

      My Amazon page


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